Interview
Helping Syrian Filmmakers Tell the Human Narratives of Conflict
Among the films produced by one Syrian NGO: one of the first documentaries to look at the early effects that ISIS was having on residents of eastern Syria.
Interview
Among the films produced by one Syrian NGO: one of the first documentaries to look at the early effects that ISIS was having on residents of eastern Syria.
Interview
The following email exchange with the photographer Justine Kurland focuses on her exhibition, Sincere Auto Care, at Mitchell-Innes & Nash, which is accompanied by a self-published book with the same title.
Interview
The Film Society of Lincoln Center is honoring filmmaker John Waters with the first retrospective of his films in the United States. Over the course of ten days, they’ll be screening all twelve of his feature films and the early underground shorts he directed and shot financed by his father.
Interview
“That was my first lucky break,” Gander recalls, as we sit down to discuss his work on the occasion of his latest exhibition at the Manchester Art Gallery titled Make Every Show Like It’s Your Last.
Interview
LOS ANGELES — In 1988 Jed Perl, a critic in his mid-thirties who had written for Vogue, Art in America, and The New Criterion, published his first book: Paris Without End: On French Art Since World War I.
Interview
In Jenny Dubnau’s Long Island City studio is a vertical mirror with adhesive stenciled letters spelling out the name “Jennifer.”
Interview
Collector Jeffrey Goldstein agreed to speak with me about some of the concerns raised in my previous post — including the handling of Vivian Maier's artworks and story, as well as the ethics of making posthumous prints from her original negatives.
Interview
When I arrived at Catherine Murphy’s home in Poughkeepsie, New York, I was led down a long outdoor path to her studio. Murphy was working on a painting of a pie crust; she asked her assistant to put the dough on ice while she spoke with me.
Interview
CHICAGO — On February 13, I found myself in the back seat of a bus in Chicago with the artist Marni Kotak. We felt comfortable in the back of the bus. We are those kinds of women.
Interview
LOS ANGELES — Most artists like to think of their studios as private domains: as places where they can wrestle with the problems and possibilities of art making without anyone looking over their shoulder. Mark Dutcher, a Los Angeles painter, has spent the last five years gradually breaking down that
Interview
In Richard Brautigan’s 1968 novel In Watermelon Sugar, a girl named Margaret often wanders off to the Forgotten Works, a forbidden area piled with the detritus of past civilizations. Like Margaret, the artist Mark Dion is drawn to old things.
Interview
Graham Nickson and I met in his offices at the New York Studio School, where he has been Dean since 1988. There was a pointed severity to our meeting-place, which offered no distractions from the task at hand.