News
British Museum Will Train Iraqis in Rescue Archaeology
There's nothing like watching ISIS blow up the ancient city of Nineveh to make archaeologists, conservationists, and historians feel helpless.
News
There's nothing like watching ISIS blow up the ancient city of Nineveh to make archaeologists, conservationists, and historians feel helpless.
Art
Like many accomplished photojournalists, James Hill’s work exists in a blurred space between reportage and fine art.
Art
Among the most tragic losses of the many antiquities destroyed in Iraq by ISIS has been the destruction of Iraq's seriously understudied medieval architecture.
News
A video released on Thursday by ISIS shows members of the terrorist organization destroying ancient Assyrian artifacts at the Mosul Museum and the nearby Nineveh archaeological site.
News
On Sunday night, more than 8,000 books and manuscripts were destroyed after ISIS militants bombed Mosul's Central Library.
News
Extended video confirms that the Victory Convent of the Chaldean Sisters of the Sacred Heart in Mosul, Iraq, was destroyed on November 24.
News
Nearly a thousand years old — the 'first of its kind in Iraq', according to Archnet, and one of the last six standing, according to Iraq Heritage — the distinctive muqarnas-domed mausoleum is now a statistic.
Interview
Wafaa Bilal asks us to bear witness, examine, and understand recent history. He places himself in his art to raise awareness and alter our perceptions.
News
The militant group Islamic State of Iraq and Syria (ISIS) has been destroying the artistic and religious heritage of Iraq and Syria as they continue to impose their fundamentalist Sunni doctrine on the lands they've occupied.
News
The United Nations issued a warning yesterday on possible danger to Iraqi cultural heritage sites as the insurgent army of the Islamic State of Iraq and al-Sham (ISIS) continued its southward sweep of the country towards Baghdad.
Art
For whom do images of a conflict zone, as those Wafaa Bilal has recreated in his Ashes Series, bear witness? How is this memory constituted? In his first solo show at Driscoll Babcock, the artist and NYU professor takes as his starting point newswire photographs of destruction in Iraq, transforming
Art
DENVER — Flown in from Dubai, an enormous collodion camera dominates a corner of Denver’s Robischon Gallery. The apparatus belongs to artist Halim Al Karim, whose show of ghostly portrait photographs is an unlikely meeting of 19th-century photo processing techniques and a personal reflection on his