I recently visited the Hagia Sophia for the first time after its conversion and felt overwhelming sadness.
“Politics, war and oppression are a part of my life,” Fatoş İrwen explained of her current solo show, Exceptional Times.
Exploring how to eat as humans change the climate, Climavore: Seasons Made to Drift is on view until August 22 at SALT Beyoğlu.
Turkey’s Trade Ministry filed a lawsuit demanding the dissolution of Anadolu Kültür, an institution founded by Kavala in 2002.
The initial protests started one month ago after President Erdoğan appointed one of his political allies as the school’s rector, inciting outrage over political motivations.
For two weeks last fall, performance artist Alisa Oleva walked with 33 different women in Istanbul; sometimes for 30 minutes, sometimes for three hours, but always from 1500 miles away.
As the Turkish government announced that the Hagia Sophia will be converted back into a mosque, one of the primary responses worldwide has been to assert that the edifice constitutes “universal” heritage, that it belongs to all of us.
Kavala has been detained since 2017. Human rights activists have called for his release due to a lack of “facts, information, or evidence.”
Art historians and conservationists worry Turkish authorities might remove the centuries-old Byzantine mosaics that adorn it.
Ten Turkish artists follow daguerreotypist Frédéric Auguste Antoine Goupil-Fesquet’s 180-year-old journey through the Eastern Mediterranean.
Imprisoned since 2017, Osman Kavala was found not guilty of attempting to overthrow the government, but re-detained on new charges before he could even taste freedom.
For years, artist Serkan Taycan has documented a nearly 40-mile route through the outskirts of Istanbul, which traverses rarely seen landscapes. He facilitates walks through the area, now at risk due to a proposed shipping canal.