Gucci has also installed mannequins that lifelessly watch video versions of appropriated art.
Non-artists have renamed famous paintings before, and they certainly will again.
This exhibition demonstrates Van Eyck’s influence on the Pre-Raphaelite through visual comparisons which satisfyingly reveal a complex relationship between two otherwise disparate art movements.
The Cleveland Museum of Art’s ornate table fountain, a 14th-century hydraulic automata, is the focus of a new exhibition on the popular medieval decorative objects.
I realize that I’m coming late to the party with Unfinished: Thoughts Left Visible, one of the three debut exhibitions of the Met Breuer, and I have little to add to the conversation about the fundamental problem with the show.
At a press preview earlier this month, Sheena Wagstaff, the Metropolitan Museum of Art’s chairwoman for modern and contemporary art, said that “arguably only the Met” could put on a show like Unfinished: Thoughts Left Visible.
When most people are bored at work, they surf Facebook. Not so with Francesco Fragomeni and Chris Limbrick, two employees at the website creation startup Squarespace who funneled their creative energy into photographic homages to the art historical canon.