Books
Though the art world seems to have recovered from crisis mode with the enthusiastic approach to (and beginning) of Art Basel Miami Beach 2010, the remnants of our previous recession-driven apocalypse are still close at hand. Auction successes are blazing beacons of money, but seem shaky and could pr
Interview
This is the second in a series of interviews with artists, writers, and personalities involved with #TheSocialGraph, which opens today (November 12, 6-9p). For more information, visit hyperalleric.com/thesocialgraph [http://hyperalleric.com/thesocialgraph]. Jennifer Dalton stepped right into the hea
Art
A generic survey of New York’s Lower East Side galleries [http://www.artcat.com/neighborhoods/6], perused at random on the first week of November, 2010, including observations from a viewer completely outside the art world. Jerry Saltz often ridicules artists for not going to see enough shows [http:
Opinion
ArtReview released its annual Power 100 yesterday, a document that makes a spirited attempt at putting the art world into numbers. The list held a few surprises, but really, what was most un-surprising about the whole affair was how lame and mainstream it was while frontin' a snarky facade, insider-
Interview
Now that Jerry Saltz has proven himself — yet again — to be an attention whore with his stint on Work of Art, I’m starting to like him more … yes, I love a car crash. And just when we were all jonesing for another fix of “What is crazy uncle Jerry up to?” Artist Jennifer Dalton is opening a show tod
Art
The most striking aspect of social media art is that it contains facets of net.art, by being digital; visual art, by existing on a two-dimensional surface; public art, by existing in spaces used habitually by hundreds of millions of people; and performance art, by being inherently social. Whether th
Art
Last night marked a watershed moment for the art world: the first time that contemporary art was inducted in the burgeoning canon of reality TV. But the big question is: will it succeed in picking an artist the art world will accept or will the show turn out to be more of a Dadaist farce, too nonsen
Interview
On Tuesday, Tyler Green announced that he was leaving his 8 1/2 year stint at ArtsJournal for the mainstream art media world of Louise Blouin Media’s ARTINFO and Modern Painters. The news came as a surprise to many who view Green’s online voice as a cornerstone of the indy art blogosphere. Yet the v
Opinion
New York Magazine's senior art critic has started filing video reports from art events. And on Friday he posted a report from Brooklyn Museum's “food art” gala created by “food artist” Jennifer Rubell. Her description of the event is priceless … and absurd …
News
If the image of the Warhol piñata at the Brooklyn Museum didn’t freak you out enough, the videos of everyone from Jennifer Rubell to Jerry Saltz taking a whack at the thing (and right in the mouth no less) will surely disturb you to no end. If the art world ever needed a good therapist then now is t
Art
Referencing prairie dogs and Mussolini, yesterday New Museum chief curator Richard Flood wound up his talk at the Portland Art Museum on “Creating Networks: The New Internationalism” with some bracing criticism of his own directed at online critique of his institution. Unlike the rest of his talk wh
Opinion
I’m a big fan of artist Lawrence Swan’s Art Bum series, which follows the life of a frustrated artist who feels alienated from the sexy Art World of fame, fortune and major retrospectives. Given Art Bum’s critique of all things Art World, I was happy to see that Swan’s most recent strip targeted a n