The emphasis in Semmel’s retrospective Skin in the Game is on the various points of view she has taken on herself — and, briefly, on others too.
Joan Semmel
Beer with a Painter: Joan Semmel
“How could I make work that was sexual from a woman’s point of view, that would not turn a woman off, as so much of pornography did?”
150 Phalluses in Feminist Art Today
In the Cut is a seductive and enigmatic mental play in which it becomes possible, inescapable in fact, to glimpse the world through a feminine lens.
“You Have to Get Past the Fear”: Joan Semmel on Painting Her Aging, Nude Body
Joan Semmel has created a distinctive body of work largely centered on painted images of her own body.
On Sexual Paintings and Shifting Images: An Interview with Joan Semmel
I have known about Joan Semmel for a long time. But recently I began thinking about the parallel concerns between my own practice and the work of this artist 20 or so years my senior.
Six Pioneering Feminist Artists Conquer New York
With recent statistics showing that only 31% of the solo exhibitions at NYC galleries are devoted to women, it comes as a pleasant surprise that over a two-month period this spring there are several exhibitions simultaneously showcasing the work of second-generation feminist artists.