The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.
John Avelluto’s artworks — we’ll call them paintings for the sake of convenience — take trompe l’oeil places it was never meant to go. By turns exercises in mind-boggling craft and mind-twisting formalism, they repeatedly abrade the boundary between the hyperreal and the micro-minimal with their tough, exultant, inscrutable beauty.
Art and life intersect constantly in an infinitely flexible matrix. Those intersections will be the focus of Single Point Perspective, a new series from Hyperallergic Weekend.