How better to illustrate the inadequacy of current restitution efforts than to offer up as tribute an object by one of Germany’s most famous artists, who thought art could bring about transformative social change?
Tag: Joseph Beuys
Joseph Beuys’s Only Public Artwork in New York Temporarily Unearthed
Last weekend, the Beuys stones were removed from their Chelsea location due to construction plans.
A New Documentary Reveals the Living, Breathing Joseph Beuys
For the first documentary ever made about Beuys, director Andres Veiel dug into the archives, creating a film that is 95% footage of the artist.
The Unfortunate Timeliness of Joseph Beuys
An exhibition covering major bodies of work reveals his urgent resonance for our troubled times.
Finally, a Joseph Beuys Documentary
A new trailer shared exclusively with Hyperallergic gives a glimpse of Beuys, a new documentary about the legendary conceptual artist.
Contemplating Perfection and Imperfection at Dia:Beacon
A visit last weekend to Dia:Beacon, the vast repository of Minimalist art on the east bank of the Hudson River, brought home once more the complexities and contradictions of a movement whose goal was to be as plain as the nose on your face.
From Míro’s Studio to Ledger Art, Standouts of the Armory Show’s Modern Section
The Armory Show is thought of first and foremost as a venue for buying contemporary art, but on the fair’s southern pier dealers quietly move Modern masterpieces worth millions.
A Simplistic Survey of Protest Art
Zero Tolerance at MoMA PS1 tackles an ambitiously broad subject: the intersection between protest and art.
Over 500 Joseph Beuys Multiples Go on Rare View in NYC
From the 1960s until his death in 1986, German artist Joseph Beuys produced some 557 multiples — small-scale portable and affordable pieces that captured an element of his practice.
The Pursuit of Art, 2014
The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.
Putting the ‘No’ in ‘Nostalgia’
This show at James Fuentes, instigated by various artists associated with an exhibition in 1980 called The Real Estate Show, is a reconstruction of a spontaneous action that began in late 1979.
‘Paweł Althamer: The Neighbors’ at the New Museum
A few blocks east of the New Museum’s skyward stack, a small gallery recently closed a provocative show focused on the final years of Joseph Beuys, the forefather of social sculpture. Though Beuys’ legacy in the social practice(s) of art is as manifold as it is contested, few have assumed his mantle as directly as the Polish sculptor Pawel Althamer.