Art
In an exhibition timed to promote the release of Julian Schnabel’s film about Vincent van Gogh, the museum juxtaposes 13 paintings from its 19th century collection with 11 of Schnabel's works.
Film
Standouts at this year's New York Film Festival range from a Vincent van Gogh biopic by Julian Schnabel to a documentary on free jazz, with a range of great, art-inflected offerings in between.
Art
Revisiting a painting show that “changed the art world, for better or worse.”
Art
Do you ever feel like you are getting the hard sell or being bludgeoned into submission?
Art
WASHINGTON, DC — In her ongoing series Le ‘NEW’ Monocle, Shana Lutker creates stage sets and performances based on the circumstances and philosophical undertones of fistfights instigated by Surrealists in Paris in the 1920s.
Art
What does it say about the character of art audiences when artists who had previously been adored fall out of fashion and have scorn piled on them?
Art
Since Julian Schnabel first gained attention with his broken plate paintings in the 1980s, he has been predisposed to working on found surfaces – animal skins, velvet, corduroy, sail cloth, tarpaulins, canvas flooring from boxing rings, wallpaper, navigation maps, flags, Kabuki theater backdrops, an
Art
"Julian Schnabel , Jeff koons, Duchamp ect……"
Art
Memories fade. That’s the one good reason, as far as I can see, to compile an end-of-year list. It’s sometimes startling to retrace what attracted my attention over the course of a year; it is also instructive to determine where such a miscellany of shows fits in with ongoing areas of interest, and
Art
The final installment of Julian Schnabel 1978–1981, the rotating exhibition of four of the artist’s early works, has arrived with "Abstract Painting on Blue Velvet" (1980). If you’re seeking closure, however, I doubt that you will find it here.
Art
As an undergraduate, I took a seminar in contemporary art issues conducted by the theater designer Robert Israel, who once mused about coming across one of Robert Rauschenberg’s 1950s-era combines in a collector’s pristine white apartment. The artwork, composed of recycled scraps of garbage, “looked
Art
“The Patients and the Doctors” (1978) is Julian Schnabel’s first plate painting. It is also the title of a prose poem/essay he wrote for the February 1984 issue of Artforum, a ham-fisted manifesto that did little to dispel his reputation for defensive bluster.