In his collection of essays, Derek Conrad Murray explores questions of post-blackness by drawing on the artworks of Glenn Ligon, Kehinde Wiley, Mickalene Thomas, and Kalup Linzy.
MIAMI — In Joseph Campbell’s monomyth, The Hero’s Journey, the heroes tend to follow a basic narrative arc.
KANSAS CITY, Missouri — There’s an amazing show about contemporary performance art, and it may be coming to an art venue near you. Having just left the H&R Block Artspace at the Kansas City Art Institute, curator RoseLee Goldberg’s exhibition Performance Now is like a touring indie rock band, minus the live performers.
If you’ve ever wanted to see a dancing dog — and not just any dog, but one of William Wegman’s Weimaraners — you’re about to get your chance. Choreographer Karole Armitage has teamed up with a handful of visual artists, including Wegman, Will Cotton, Kalup Linzy and Aïda Ruilova, for a dance-cum-performance-art show at the Abron Arts Center titled “Werk! The Armitage Gone Variety Show.”
Since we’ve been running down the most powerless and most f***able art world figures, now we’re seeing which ones are in dire need a makeover. Anyone in the public sphere knows the way they dress reflects greatly on their work, and art people, fortunately or not, are no exception.
Ignore the nice moody song and James Franco’s disembodied smiling head, and just concentrate on the cheesiness of Kalup Linzy’s new music video filled with vagina imagery … Judy Chicago would be proud, or weirded out. Take your pick.
Art21 has launched a new documentary series. Called New York Close Up, the series, according to Art21’s informative website, “provides an intimate look at the next wave of artists- artists close up.” Clearly they’ve set the bar on clever titles. New York Close Up launched with a party at the Ace Hotel’s Liberty Hall last Thursday. While not as nice as fellow intern’s assignment at The Standard (screw you, Alex), it was still a fairly fancy party filled with very attractive people sipping very expensive drinks. I brought “a photographer” aka my friend Laura, in order to avoid standing by myself not talking to anyone. Instead, we stood together and didn’t talk to anyone. After a half hour-long search for one of the overworked waitresses, we were finally able to order some nasty raspberry Stoli for eleven bucks each. The lack of open bar was devastating.
If you happen to stay at one of Andre Balazs’s Standard Hotels, you may notice that the televisions aren’t exactly playing standard programming. This year’s StandART Video Series, launching at the Top of The Standard Hotel, New York yesterday evening, features video art that will play across the country in the rooms of Balazs’s lush chain. The in-room video art exhibition, curated by Creative Time, includes work by Andrew Cross, Allison Schulnik, Naomi Fisher, Terence Koh, Estefanía Peñafiel Loaiza, Kalup Linzy and Slater Bradley.
Ltd Los Angeles is an inconspicuous gallery nestled into Sunset Blvd. a block from a great comic book store, two good restaurants, and an awesome dirty Mexican joint. The gallery has been open for a while, but with blacked out windows and a small logo, it is hard to spot. Their fourth and current show in the large and welcoming space features the work of Kalup Linzy in an exhibition titled Fantasies, Melodramas, and a Dream called Love. Unfortunately, Linzy’s show is disappointing.
I made a recent realization: discussing complex gender issues leaves me speechless. I realized that after about the 14th time I tried and failed to begin this article. This new manifestation of my ignorance comes courtesy of the MIT List Visual Arts Center’s exhibition entitled Virtuoso Illusion: Cross-Dressing and the New Media Avant-Garde. The exhibit covered themes of alternative identity, gender roles, and sexuality. I was strongly drawn to two pieces in particular, one of which was Michelle Handelman’s video “Dorian” (2009), the other was Kalup Linzy’s “Conversations wit de Churen III: Da Young & Da Mess” (2005).