The total renovation of the Charlotte Street Foundation arts center was catalyzed by an artist-driven core mission to support and catalyze a local artistic community.
The annual celebration pays homage to the women at the front lines of World War I, who rolled their dough using shell casings to bake the sweet treats.
In The Trials of the Golden Rat, Patrick Duegaw recasts Hercule’s feats as the troubling behavior of a powerful man, reframing his targets through the guise of powerful women standing up for themselves.
Artists and activists called out the private museum in Kansas City for allowing police to stage on their property on Friday during nearby protests.
UMB Bank is suing a city in Rhode Island for refusing to house ICE detainees at an affiliated detention center. The bank’s CEO, Mariner Kemper, is also a trustee of the Kemper Museum of Contemporary Art in Missouri.
This summer has seen a string of racially motivated acts of vandalism across the country. Is the Negro Leagues Baseball Museum in Missouri white supremacy’s latest victim?
KANSAS CITY, Mo. — Artist Ryan Wilks and I are two men of different generations who have had similar experiences of being queer.
KANSAS CITY, Missouri — Dark Days, Bright Nights, an exhibition of recent Finnish paintings curated by Barbara O’Brien for the Kemper Museum, is a stirring reminder of how culturally under-represented that nation remains even in the age of digitally networked globalization.
KANSAS CITY, Missouri — There are 324 bottles of water currently on view at the Museum of Bottled Water (MBW) in the Crossroads Arts District, some flat, some sparkling, and featuring labels from across the globe with an emphasis on US branding.
KANSAS CITY, Missouri — There is nothing in the center, because it’s the middle and the middle doesn’t matter. At least, that’s what interest in smaller non-coastal American cities historically tends to be.
KANSAS CITY, Missouri — There’s an amazing show about contemporary performance art, and it may be coming to an art venue near you. Having just left the H&R Block Artspace at the Kansas City Art Institute, curator RoseLee Goldberg’s exhibition Performance Now is like a touring indie rock band, minus the live performers.
KANSAS CITY, Missouri — Kaitlin O’Brien is 16, and she’s gonna turn 17 in August. Arguably her biggest accomplishment this year to date was curating Thanks for the Warning (ran through June 22), a 68-person show containing 86 artworks at the Dolphin Gallery, which her father John O’Brien has owned for 24 years. This was the gallery’s final exhibition, a culmination of nearly a quarter century of work. And it was planned, conceived, and executed for reasons not commercial but familial.