From mythic navigation to generating new built and ecological environments, this year’s cohort seems prepared to take on the future.
A Visual Search Engine for the Aerial Patterns of Cities
Thanks to a small team of artists and coders, you may now explore cities through patterns of infrastructure as captured in aerial photography.
Best of 2015: Our Top 10 Works of Internet Art
Unbound to GPS coordinates, internet-based art has no place on these other lists, and since it isn’t fair to neglect the increasing amount of works designed specifically for cyberspace, 2015 welcomes our inaugural Best-of-the-Internet list.
An Addictive Experiment in Annotating Footage from a London Street
In 1974, French writer Georges Perec’s “An Attempt at Exhausting a Place in Paris” is part of the inspiration behind Kyle McDonald’s new online interactive Exhausting a Crowd.
New App Lets Users Outsource Their Relationships
Part art project, part philosophical experiment, and part functional app, pplkpr is an app that “tracks, analyzes, and auto-manages your relationships.”
Artists Still Not Getting Paid (But at Least We’re Starting to Talk About It)
A campaign in the United Kingdom called Paying Artists released a report with a series of recommendations for getting artists paid, an urgency they claim based on their finding that “71% of artists exhibiting in publicly-funded galleries received no fee for their work.”
The Almost Anonymous of the Digital Art World
Remove Justin Bieber from your internet. Slice up subway posters for easy remixing. Mix LEGO, K’nex, and Lincoln Logs in an incestuous scramble of childhood toys. Star in your own guerrilla TED talk. Those are just a brief excerpt of the mischievous things an active viewer can accomplish at Eyebeam’s retrospective of the hacker-internet artist-new media graffiti collective F.A.T. Lab.
Do Artists Actually Confront Our New Technological Reality?
Art historian and associate professor at New York’s CUNY Graduate Center Claire Bishop has taken to the pages of Artforum’s September edition to issue a kind of rebuke for contemporary art. She argues, in an extended essay that only briefly detours into egregious artspeak, that though the new realities of technology and the internet provide the fundamental context for art currently being made, art and artists have failed to critically confront this context and are too content simply to respond and adapt to it.