Art
With Humor, Bras, and Yapping Dogs, an Artist Explores Self-Image
Jiwon Rhie’s clean but playful investigations into societal practices and our own perceptions of ourselves put sensitivity and jest at an equal level.
La MaMa
Art
A Series of Indigenous-Led Performances and Conversations Kick Off Across New York
On Saturday, the First Nations Dialogues marks the start of a week-long series in support of Indigenous performance and cultural change.
Performance
A Fantasia of Queer Kink Channeled Through Dance
This experimental dance show has everything: astronauts, Furries, the national anthem, a pyramid of cocaine, Pope John Paul II.
Performance
A Play Caught Between the Lies and Truth of Storytelling
When I first encounter the artist Lin Bo discussing his work “The Cage,” there is something about him that doesn’t sit quite right with me.
Performance
Six Characters in Search of a Puppetmaster
Luigi Pirandello's iconic play Six Characters in Search of an Author (1921) is being reimagined at La MaMa this month.
Art
Moving Forwards and Backwards in Time with ‘The Shining’
Picked apart and poured over by a confederacy of film-obsessed mavens with keen eyes and airtight attention spans, Stanley Kubrick’s opus The Shining (1980) has proven remarkably fecund over its 36-year lifetime.
Art
Of Death and Disco Balls: Nightlife Art as Activism
An oversize facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980.
Performance
The Slippery Politics of Weaponized Theater
Trash Cuisine is a play about the visceral horrors of political violence.
Performance
Butoh, the Body, and Perception
There’s a moment in your first life-drawing class where your perception shifts and you start looking at the naked body in front of you differently. At least that was my experience. Instead of feeling uncomfortable with the nudity or paying attention to judgments and assumptions about the person in f