Test 2018 posts
Melissa Meyer’s Urban Vision
Meyer has turned Pollock’s all-over painting on its head.
Lennon Weinberg Inc.
Art
Paintings of Toxic Landscapes Where Politics and Aesthetics Are in Perfect Balance
Greg Lindquist's landscape paintings, rendered in a range of queasy-making yellows and greens, address air and water pollution from coal-powered plant emissions.
Art
Stephen Westfall Unscrews His Grids Even More
Ten years ago, in an interview that I did with Stephen Westfall, he said that he was interested in a skewed grid because it looked as if “the whole thing could tremble and be knocked over.”
Art
Conversations Can Be a Way of Moving Forward: Melissa Meyer’s Category-Resistant Abstractions
Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.
Art
Harriet Korman’s Chromatic and Linear Improvisations
The key to Harriet Korman’s work is drawing. However, until this exhibition, Harriet Korman: Line or Edge, Line or Color, New Paintings and Drawings, at Lennon, Weinberg she has tended to show only a few drawings at a time.
Art
Artifice, Authorship, and the History of Photography
Laura Larson’s current show of photographs at Lennon, Weinberg, Inc. feels like a small museum retrospective. The elegantly installed exhibition explores the artist’s career over a twenty-year period, from 1992 to 2012.
Art
Weekend Studio Visit: Melissa Meyer in Midtown Manhattan, New York
Over the past decade, Melissa Meyer, rightfully characterized by David Cohen “as virtually without a peer as a lyrical abstractionist,” moved from the lyrical to the disjunctive.