Meyer has turned Pollock’s all-over painting on its head.
Lennon Weinberg Inc.
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Paintings of Toxic Landscapes Where Politics and Aesthetics Are in Perfect Balance
Greg Lindquist’s landscape paintings, rendered in a range of queasy-making yellows and greens, address air and water pollution from coal-powered plant emissions.
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Stephen Westfall Unscrews His Grids Even More
Ten years ago, in an interview that I did with Stephen Westfall, he said that he was interested in a skewed grid because it looked as if “the whole thing could tremble and be knocked over.”
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Conversations Can Be a Way of Moving Forward: Melissa Meyer’s Category-Resistant Abstractions
Since 2001, Melissa Meyer has continued to reinvent herself without severing her connections to Abstract Expressionism or, more particularly, the brushstroke and drawing in paint.
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Harriet Korman’s Chromatic and Linear Improvisations
The key to Harriet Korman’s work is drawing. However, until this exhibition, Harriet Korman: Line or Edge, Line or Color, New Paintings and Drawings, at Lennon, Weinberg she has tended to show only a few drawings at a time.
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Artifice, Authorship, and the History of Photography
Laura Larson’s current show of photographs at Lennon, Weinberg, Inc. feels like a small museum retrospective. The elegantly installed exhibition explores the artist’s career over a twenty-year period, from 1992 to 2012.
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Weekend Studio Visit: Melissa Meyer in Midtown Manhattan, New York
Over the past decade, Melissa Meyer, rightfully characterized by David Cohen “as virtually without a peer as a lyrical abstractionist,” moved from the lyrical to the disjunctive.
