It isn’t easy to make a good abstract painting.
Lesley Heller Workspace
Posted inArt
When a Splotch Isn’t Just a Splotch
This two-gallery extravaganza takes up the tricky gambit of featuring “artists whose work involves a methodical and controlled process of creating seemingly freeform or random daubs and spots.”
Posted inArt
Miami Project 2013: Systems at Work
MIAMI — Perhaps the most defining feature of art fairs is their organizational structure: floors divided into white-walled, cubicle-type booths; important galleries selling expensive work situated near the front or center; strategically placed VIP lounges and bars. So perhaps it’s no surprise that, wandering the aisles of this year’s Miami Project fair, I found quite a number of artists making, engaging with, and unpacking systems.
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New Monuments on the Lower East Side
Entirely new work was made for New Monuments. “Artists were selected for the show, not specific works,” says show-organizer and participating artist Ben Godward, who basically commissioned the other four participants. They all have deep ties to the Bushwick art scene, and are all transplants from the Midwest.
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Deborah Brown’s Writes Postindustrial Poetry at Lesley Heller
Last Wednesday the Lesley Heller Workspace in the Lower East Side, opened The Bushwick Paintings, a new group of work by Deborah Brown. The gallery was packed, teeming with people and vibrant paintings.
Brown has been painting urbanscapes for quite some time. Fascinated by the world in which we live our everyday lives, she points out the poetic beauty of the ordinary; antennas, sneakers hanging on overhead wires, lamp posts, and fences are no longer invisible elements of the city, but the main characters in her scenes.
