This year’s Volta NY spoke many different dialects, but most of them seemed to stem from the same language. Although there were a total of 95 galleries exhibiting, with works ranging from the very minimal to the very ornate, a large chunk of the art on view was either obliquely or transparently narrative
LOS ANGELES — Things are not what they seem in Culver City’s Carmichael Gallery. At first glance, the inscrutable smiles in Beijing-based artist Yue Minjun’s self-portraits express mirth or merriment.
SCOPE is the art fair that many people like to disparage but this year’s installment was quite good and worth a trip.
Housed in a large tent near the Art Miami and Red Dot art fairs and, as always, attached to Art Asia, the greater prominence ensured more foot traffic than last year (two gallerists told me sales and traffic were better this year) and the lofty space made it much more conducive to looking at art.
Thanks to artist Mark Jenkins, life just got a little more complicated than it used to be. In addition to the age-old dilemma of “Is it art?” we are now forced to confront the question “Is it street art?”