Over 160 artworks, including rarely seen works on paper, illuminate Etta Cone’s vision and her role in creating the Baltimore Museum of Art’s mammoth Matisse collection.
Two museums, one in Berlin, Maryland, and another in Aberdeen, Washington, are both self-funded women-led projects.
After facing backlash for its plan to de-accession major works, the BMA will consult with community members to reinvent its role.
From one project to the next, Self reinvents herself and reimagines how to portray the human body.
Works by Firelei Báez, Theresa Chromati, Thornton Dial, Virginia Jaramillo, Laura Ortman, Betye Saar, Jaune Quick-To-See Smith, and more are on view at the BMA.
The museum has used the funds from the $16.1 million sale of works by artists including Warhol and Rauschenberg to acquire 125 works by underrepresented artists and artist collectives.
A small coin dated 1808 led archaeologists to identify the area as the former site of the plantation where Tubman lived before escaping enslavement in 1849.
The museum previously planned to fund the programs using proceeds from deaccessioned artworks, a proposal that drew sharp criticism from many in the arts community.
The museum announced 33 recent acquisitions by artists including Laura Aguilar, Loïs Mailou Jones, and Jaune Quick-to-See Smith.
The university’s IMDA program facilitates students’ engagement with emerging artistic practices to address conceptual and social challenges.
The decision comes only hours before the Sotheby’s contemporary art auction this evening in which two of the works were slated to go under the hammer.
Pendleton and Sherald join two honorary trustees who have also stepped down from the board, though the artists did not state their objections to a contentious deaccession.