Art
You Can Finally Listen to the Instruments at the Metropolitan Museum
Now, for the first time, visitors are able to hear the sounds of the historical instruments on display in The Art of Music.
Art
Now, for the first time, visitors are able to hear the sounds of the historical instruments on display in The Art of Music.
Art
The entry of works from the Souls Grown Deep Foundation into the Met’s collection has prompted the museum to rethink the way it presents 20th-century art history.
Art
We cannot escape violence, Golub suggests. We cannot overcome it or circumvent it or negotiate with it.
Opinion
A historian of early Christianity with a specialty in religious dress considers how the Metropolitan Museum's recent gala and new Costume Institute exhibition might align with or offend early Christian sensibilities.
Art
This exhibition of William Eggleston’s color photographs developed from negatives made between 1965 and 1974, reminds me of the tagline from the 1969 film Easy Rider: “A man went looking for America, and couldn’t find it anywhere ... ”
Art
Dangerous Beauty: Medusa in Classical Art at the Metropolitan Museum of Art explores how the snake-haired Gorgon transformed from a hideous monster into a beautiful femme fatale.
Art
Security guards' annual salaries are less than half the state’s annual median income, hovering just above the equivalent of minimum wage.
News
On Saturday, members of the group PAIN Sackler and other organizations gathered at the Temple of Dendur to decry the Metropolitan Museum's association with the Sackler family's painkiller fortune.
Art
Simone Seagle transforms iconic works by artists like Paul Klee and Claude Monet into interactive animations.
News
On Saturday, a historian wearing her handmade robe à la française style dress was barred from entering the museum to take part in a tour.
Art
Golub’s paintings cast the West’s Greco-Roman heritage not as a reflection of reason and order, but as a manifestation of its latent savagery.
Art
Michelangelo's sensitive phantasmagorical drawings are riveting because they are fierce and fragile; strength and tenderness, like figure and ground, are tied together, neither one complete without the other.