Art
How Do You Say Goodbye to a Painting?
Titian’s “The Flaying of Marsyas” is among the most celebrated and disturbing images the Venetian master ever painted.
Art
Titian’s “The Flaying of Marsyas” is among the most celebrated and disturbing images the Venetian master ever painted.
News
On this week’s art crime blotter: a cycling-themed cow statue goes missing, one art dealer sues another over a Jeff Koons sculpture, and a former guard takes the Metropolitan Museum to court.
Art
It's fun to wander around the Metropolitan Museum of Art without a paper guide, but students in the School of Visual Arts' MFA Visual Narrative program have created a number of creative, interactive maps for the museum well worth consulting.
Art
A couple of ancient giants are extending their American debut by two years.
Art
Some days ago — never mind the count — having not much purpose in the Metropolitan Museum of Art, and nothing in its galleries otherwise to interest me, I thought I would wander a little and found myself in the most watery part of the institution.
Art
The Aztec rulers often expressed their power with body modification, such as labrets pierced through the lower lip.
Art
An unfinished film can be any number of things.
Art
The daughter of a pastelist and a hairdresser, Élisabeth Louise Vigée Le Brun (1755–1842) painted and befriended Marie Antoinette, escaped the horrors of the French Revolution, and forged a career as one of the 18th-century’s greatest portraitists.
Art
I realize that I’m coming late to the party with Unfinished: Thoughts Left Visible, one of the three debut exhibitions of the Met Breuer, and I have little to add to the conversation about the fundamental problem with the show.
Art
New York City is creeping towards a psycho kind of summer.
Art
French criminologist Alphonse Bertillon believed each person's physical measurements were as distinct as their fingerprints, and devised the first modern mug shots as part of his classification system in the 19th century.
Art
At a press preview earlier this month, Sheena Wagstaff, the Metropolitan Museum of Art’s chairwoman for modern and contemporary art, said that “arguably only the Met” could put on a show like Unfinished: Thoughts Left Visible.