Art Review
Michelle Segre’s Impermanent Worlds
By remaining open to time and its effects, Segre’s art defies the idea of permanence often associated with both sculpture and empire.
Art Review
By remaining open to time and its effects, Segre’s art defies the idea of permanence often associated with both sculpture and empire.
Art
Michelle Segre’s art is truer to the actual world we live in than to the ideal one proposed and refined by the art world and its institutions.
Art
In Intimate Immensity at PAFA, touch, materiality, the sensual, and the subversive are part of a feminist lineage.
Art
Michelle Segre’s rejection of commodity fetishism and a society that worships shiny surfaces is to be admired because she does it with such verve.
Art
Two artist couples that are good friends have an exhibition and show together for the first time. That seems to me as good a reason as any to have a show.
Art
In Michelle Segre’s sculpture “Self-Reflexive Narcissistic Supernova” (2013), a mushroom cap — made of wax and five feet in diameter — lies on its side in a provocative position evoking a horn, ear, and vagina — a form that receives and/or transmits.