Art Review
Karin Davie’s Oceans of Color
Davie lays everything bare in her brushstroke, while withholding how she controls sometimes two or more colors within a single mark.
Art Review
Davie lays everything bare in her brushstroke, while withholding how she controls sometimes two or more colors within a single mark.
Art Review
Lisa Corinne Davis has stretched the possibilities of painting into a territory defined by digital systems, algorithms, flow charts, and diagrams.
Art Review
His recent paintings of everyday life transcend the literal without becoming overtly symbolic; this is the tight rope he walks.
Art
Long an admirer of Renaissance and Baroque paintings, Bluhm sought to recreate their sensual forms, unearthly light, and infinite space in abstraction.
Art
In Eveleth's work, debauchery and decadence meet in the lowly doughnut, which we are invited to read as a limbless torso with a dripping orifice.
Art
The deepest pleasure of Siena’s drawings was giving up the search for what generated them and getting lost in the intricacies of the composition.
Art
The pleasure of Siena’s art arises from the tension between the overall image or the changing visual field and the individual units.
Art
It is time that the art world recognize what Bluhm went on to do during the last three decades of his life, when he was deep into his own territory.
Art
Elliott Green seems to be espousing that landscapes are living forms governed by rules we cannot fathom — they appear to be welcoming us, but we might be wrong.
Art
Emily Eveleth’s paintings of doughnuts are lurid, funny, unsettling, sexy, off-putting, luscious, puffy, bawdy, and excessive.
Art
If Philip Guston wanted everyone, including himself, to leave his studio, Franklin Evans seems to be inviting everyone in.
Art
In Yossifor’s work, connections between the imagination and the ordinary world are made not through the pictorial, but through the paint itself.