In taking aim at contemporary corporations, especially oil companies, Cuevas draws a connection between colonization, trade, and the devastation of the natural world.
Minerva Cuevas
Posted inArt
Resisting Superficial Narratives About the US-Mexico Border
When the Dogs Stop Barking reflects the complexities, and foolishness, of geopolitical limits.
Posted inArt
Dissident Visions With a Dose of Play
Minerva Cuevas exposes the contradictions of the socioeconomic systems that rule our daily life in her first solo show in New York.
Posted inNews
Will a Giant Boob or Chameleon Inaugurate the High Line’s New Public Art Plinth?
In spring 2018, the industrial park will inaugurate its first space dedicated specifically to art: the High Line Plinth.
Posted inArt
In Middle America, a Survey of Art from Latin America
DETROIT — The central piece, and the one that immediately draws the eye when entering the main gallery of United States of Latin America at the Museum of Contemporary Art Detroit, is a full wall mural by Minerva Cuevas entitled “America.”
