Art
Mira Schor Shows a Powerful, Liberating Relationship Between Women and Animals
Schor’s extraordinary paintings and drawings, produced during her time at CalArts in the 1970s, redefine female "wildness."
Mira Schor
Interview
Mira Schor and Susan Bee Discuss the Many Meanings of Art Writing
With Martha Wilson acting as a moderator, Schor and Bee discuss how and why in the 1980s they developed M/E/A/N/I/N/G magazine as a forum for and by artists.
Art
Generate Absurd Descriptions for Fictional Artworks
Isabel Kim’s delightful Infinite Artwork Simulator is “a tongue-in-cheek artwork description generator” based on Mira Schor’s musings on “Recipe Art.”
Art
Finding Dark Humor in the Plight of the Feminist Artist
In her latest exhibition, Death Is a Conceptual Artist, feminist icon Mira Schor delivers a slow-motion knockout blow.
Art
What We Talk About When We Talk About Art Online
“Thank you guys for coming,” Alexis Clements said last Thursday night to a small crowd at the Brooklyn Museum largely comprised of women. “Actually, I shouldn’t say 'guys,'” she interrupted herself, “Thank you all for coming.” That introduction set the tone for a panel that the playwright, performer
Art
Are We Post–Black Art?
There are so many fault lines between art and politics, navigating them can feel dizzying and often futile. Conversations about identity politics, economics, heritage, corrective curating, and the broader issues of inclusion and exclusion are important but can be a drag on art itself, to the point w
Art
What Is the Labor of Art Writing? (Part 2)
At one point, Arts & Labor member Blithe Riley, who was in the audience at the round table, made a comment about “freaking out a little.” This highlighted the disconnect between the political and social aspirations of Arts & Labor and the general role of art critics for me.
Art
What Is the Labor of Art Writing? (Part 1)
Last Thursday night at Housing Works Bookstore, Occupy Wall Street affinity group Arts & Labor organized a panel of New York art writers to discuss the labor of art criticism. Village Voice and New York Times critic Martha Schwendener opened the round table with the question, “What is the labor of w
Interview
Six Questions for Mira Schor About Text and Image
Painter, author and critic Mira Schor's current show at Marvelli Gallery delves into the world of language. The show is titled Voice and Speech, but there's an erie silence to these works.
Opinion
The Art Kids Are Not Alright
Jerry Saltz is like the art world's hip uncle. But is he getting too curmudgeonly to hang with the kids? In the critic's recent New York Magazine essay, Saltz calls young artists “Generation Blank” for being not original enough and too digestible by critics — cliche. Meanwhile, other art youth compa
Opinion
Mira Schor: Gagosian Gallery Pulls a Smithsonian
Mira Schor writes about the disturbing reaction of the Gagosian Gallery (and the NYPD) during a silent protest at the gallery's 24th Street space last week. [HUFFINGTON POST [http://www.huffingtonpost.com/mira-schor/gagosian-gallery-pulls-a_b_801033.html]]
Opinion
How is MoMA's "Abstract Expressionist New York" Faring Online?
The Museum of Modern Art’s Abstract Expressionist New York: The Big Picture, an ambitious exhibition that (kinda) rethinks the standard narrative of Abstract Expressionism (aka AbEx), has been open since October 3. The show complicates things by reintroducing us to artists not entirely within the Ab