Married volcanologists Katia and Maurice Krafft took incredible footage of eruptions. Sara Dosa’s documentary uses it to tell their unusual love story.
A gratifying watch, the oddball family dramedy is fundamentally about what it means to re-parent one’s self as an adult.
Titled simply Miranda July, Prestel’s excellent new “mid-career retrospective” of the artist highlights July’s enduring interest in the very darkest aspects of human existence.
LOS ANGELES — The LA Art Book Fair is for those who cannot afford to buy art. That includes everyone from recent MFAs to working artists, writers and curators, and collectors who like objects that take up space on the coffee table — not the wall.
CHICAGO — Miranda July’s new project We Think Alone blurs the lines between a public confession and a private thought, asking participants Kareem Abdul-Jabbar, Lena Dunham, Kirsten Dunst, Sheila Heti, Etgar Keret, Late and Laura Mulleavy, Catherine Opie Lee Smolin and Danh Vo to share emails with you.
LOS ANGELES — It has always been a mystery to me how a signature Louis Vuitton bag can go for thousands of dollars while an impeccable knockoff (essentially the exact same bag) can go for mere hundreds. In the same way, a piece of art that can hardly be sold at the time of its creation can skyrocket at an auction decades later. Value, whether monetary or abstract, is a difficult quality to pin down, in regards to people, certainly, but surprisingly, for objects as well.
This week, it’s a mixed bag of artist interviews, design and social media infographics.
It’s easy enough to tell that The Believer is a publication from California from looking at the cover of their 2010 Art Issue, much less getting to the table of contents. A 70s psychedelic mashup of art icons, a John Baldessari suited figure, a dinosaur figurine, and a Picassoian acrobat by Clare Rojas march up a ray of red and yellow light into … the mouth of a skin-less human body? New York this is not.
Famously co-edited by Vendela Vida, writer spouse of writer wunderkind Dave Eggers, The Believer is well known for its cutesy tone and off-beat vibe, helped along by its graphic design and a coterie of Californian cultural denizens. None of these are bad qualities in themselves, but when editing an “art issue,” it might be best to start looking outside of the narrow perspective of your own aesthetic.
Don’t miss this rare opportunity to experience 30 beautiful, provocative, and poetic avant-garde films that are part of “21st Century Limited: Experimental Films 2000-2009” on July 18th and 25th. Drawn from Film Comment magazine’s best-of-the-decade poll, six Sunday programs in July will showcase some of the most memorable experimental works from the first decade of […]