In her performance last weekend, Yali Romagoza asked difficult questions about the museum’s representation of Latinx artists.
The contribution of Structures for Life is its ability to move beyond Saint Phalle’s most acclaimed works.
Artists included in the Gulf Wars exhibition say they were disregarded and demeaned after speaking up against MoMA Chairman Leon Black, owner of a security firm linked to untold carnage in Iraq.
Queerness and desire take center stage in the most recent exhibition of work by the Studio Museum in Harlem Artists-in-Residence.
In a year of perpetual change, Marking Time demonstrates the urgent need for a shift in culture, one where crisis need not be the charge for moving towards a better world.
New York City’s District Attorneys warn that unless funding for Project Reset is renewed, the program will have to be eliminated in most of the city.
An interview series spotlighting New York’s creative community. Hear directly from artists, curators, and art workers about their current projects and personal quirks.
For the closing of The Gulf Wars exhibition, one of the participating artists, Ali Yass, planned a guerrilla action to tear his drawings off the walls.
While Theater of Operations remains an important exhibition, its inclusion of certain works prompts questions: Who is this exhibition for, and what is it trying to say?
“As veterans of the Gulf War and the ‘Global War on Terror,’ as well as working artists ourselves, this issue is very important to us,” the group wrote in its letter urging for a “realignment of values at MoMA.”
Martha Rosler, Michael Rakowitz, and Laura Poitras are among the artists who call on the museum to separate itself from trustees with ties to private prison companies.
The artist posted a statement next to the paused video, demanding two of the museum’s trustees divest from private prison companies and defense contractors.