You don’t need a train ticket to see the five glass mosaic murals by Bradford at the L train 1 Avenue stop.
The letter, penned by advocates from the organizations the Black School and the Laundromat Project, condemns the recent vote to spend nearly $250 million on the deployment of 500 additional MTA officers in the city’s subways.
The Good Liars, the comic duo behind the spoofs, got its start during the Occupy Wall Street protests.
Figures like Justice Sonia Sotomayor, James Baldwin, and Maya Angelou’s take center stage in the artist’s new MTA mosaics for the 167th Street station.
The station sits under Ono’s home at the Dakota, and is highly trafficked by tourists making a pilgrimage between her and John Lennon’s home and his memorial in Strawberry Fields.
The artist created two designs emblazoned with her trademark white-on-red text, posing difficult questions to New York’s straphangers.
The very subtly tweaked posters encourage riders to “stay aware, not afraid.”
As the 2 train travels from Brooklyn through Manhattan up to the Bronx, it journeys along 49 stations of neighborhoods as varied as Flatbush, the Financial District, and Wakefield.
Earlier this year, the New York Times reported that arrests on New York’s subways were up 300% over 2013, the result of police commissioner Bill Bratton’s zealous focus on the transit system as part of his approach to policing the city.
One February evening, Brooklyn-based artist Enrico Miguel Thomas carried his drawing board a few paces away from where he had been illustrating from a counter in Grand Central — leaving behind a bag full of markers and a folded-up easel. After a brief moment of gathering the necessary detail on his subject, which he characterizes as having taken no longer than five minutes, he turned to find a swarm of police officers gathering near his bags. After approaching them, claiming the bags, and identifying himself as an artist, the MTA police officers insisted on “clearing” his bags with a K-9 bomb-sniffing dog.
The name Joseph J. Lhota may not be a household one (yet), but the current Republican mayoral candidate has done a lot in his time in New York City politics. Art worlders may remember him as the man who led the Giuliani administration’s push to bully the Brooklyn Museum into censoring an artwork from the Sensation exhibition.
The Museum of Modern Art may be one step closer to recognizing graffiti as a legitimate art form, but New York City is not. Writer Adam Mansbach, who took part in last week’s “Writers and Writers” event at MoMA, has a post on the Awl about being denied subway advertising space that he was prepared to pay for because the writing in his ad looked too much like graffiti.