Petrit Halilaj’s To a raven and hurricanes is at its most successful in liminal gestures that emphasize sensation over the display of identities.
Unlike its Western iteration, Dadaism in early twentieth century Russia was closely allied to political revolution.
A recent exhibition of this art historical figure at the Reina Sofia is amplified by a visit to where she worked.
Overshadowed in her lifetime by her famous husband, Max Ernst, the American painter gets a major retrospective in Madrid.
Camnitzer’s retrospective at the Museo Reina Sofía surveys his ironic, bluntly critical work since the 1960s.
Two years of comprehensive research by the Reina Sofia have yielded a huge amount of material related to the legendary painting and the cultural responses it’s generated over time.