Features
What’s So New About the New Museum Building?
The Lower East Side institution's OMA-designed, $82 million expansion debuted this week to mixed reviews.
New Museum
Feature
What Do We Really Think of the New New Museum?
Hyperallergic’s editors sit down for an earnest conversation about the institution’s expanded building and inaugural exhibition.
News
New Museum in NYC to Reopen in March
The contemporary art institution in Manhattan shuttered in 2024 to undergo a 60,000-square-foot expansion.
News
Manhattan’s New Museum to Reopen With 150-Artist Exhibition
New Humans: Memories of the Future will explore the ever-morphing relationship between humanity and technological evolution.
News
New Yorkers Aren't Thrilled About the New Museum’s Expansion
Renderings of the new expansion shared on Instagram elicited mixed views, with some viewing the project as “soulless.”
Art
Judy Chicago’s Corporate Feminism
I came to Herstory hoping to see depth, guts, the ambition and potency of “The Dinner Party” and instead found nothing but surface.
Art
What if Radical Femmes Ruled the Heavens?
In Wynnie Mynerva’s The Original Riot, Eve and Lilith make a pact using Eve’s right rib, vowing to create a new world absent of patriarchal subjugation.
Art
Wangechi Mutu’s Corporeal Archaeology
In Mutu's artistic universe, the human body, particularly the female or femme form, is a container for many possibilities.
Art
Searching for Brazilian Identity Between Performance and Life
Through regional music and dance Bárbara Wagner and Benjamin de Burca affirm as well as explore and subvert Brazilian identity.
Art
Kapwani Kiwanga Uses Daylight to Expose Racial Surveillance
Kapwani Kiwanga invites viewers to look with only the quiet glow of natural light seeping in through the skylights, illuminating a nuanced way of seeing race.
Art
Robert Colescott's Indecorous Truths
Colescott’s use of stereotypes and humor continues to make viewers feel uncomfortable because it jabs indelicately at our complicity.
Art
We Need to Talk About the Middle Passage
Doreen Lynette Garner renders flesh in silicone with unforgiving realism, representing the pathology of colonialism, slavery, and white supremacy.