With over 250 photos from the 19th century to today, this exhibition in New Orleans looks at the artistic, social, and political impact of Black photographers working in commercial portrait studios.
New Orleans
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Questions Arise After Gallery Shows White Artist’s Photos of Black Suffering
Meghan Boody’s images were initially produced in 2014 for a gun buyback program in New Orleans, but some expressed concerns when the works resurfaced this year in the context of a for-profit exhibition.
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NOMA Presents Katherine Choy: Radical Potter in 1950s New Orleans
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
Posted inArt
An Artist’s Altar to Divine Feminine Energy
Anastasia Pelias’s sculpture builds on this mythological legacy, suggesting we all have the ability to commune with a higher power and influence our futures.
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Ten Nineteen Exhibits Rare Vintage Prints From Nancy Rexroth’s IOWA
Nancy Rexroth: IOWA, which features 28 photographs from the groundbreaking series, is on view at the New Orleans art space through January 30, 2022.
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Dawn DeDeaux Connects Social Justice and Environmentalism in a Retrospective at the New Orleans Museum of Art
In a retrospective on view at NOMA, Dawn DeDeaux: The Space Between Worlds demonstrates the artist’s longstanding concern with the most pressing issues of our time.
Posted inOpinion
Using Black Anarchitecture to Construct a New South
This undertaking is playing out today in New Orleans, amid calls to remove the city’s 17 confederate monuments.
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150 Artists Amplify Demands for Reform at New Orleans Museum of Art
Ebony G. Patterson, William Powhida, and Xaviera Simmons have joined the call for art workers “to place strict conditions on their collaboration with NOMA,” which is being accused of bigotry and discrimination.
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Open Letter Lambastes Racism and Homophobia at New Orleans Museum of Art
Incidents include a staffer being asked to cut their dreadlocks and the permanent installation of a plantation parlor against the advisement of Black staff.
Posted inArt
Mickalene Thomas Makes the White Cube a Domestic Oasis
Thomas’s Femmes Noires reframes the gallery space, allowing viewers to alter their behavior from what’s expected in an art institution.
Posted inArt
Marches Can Only Come and Go: The Reality of Dread Scott’s “Slave Rebellion”
In highlighting a neglected piece of history that struck fear in the hearts of white enslavers, Scott made a statement about who gets to mine our history, simultaneously prompting questions about intentions, impact, and praxis.
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Dread Scott’s “Slave Rebellion” Promises an Empowering Take on the Historical Reenactment Trope
In 1811, hundreds of enslaved people marched through Louisiana chanting “freedom or death.” While their oft-forgotten journey ended in massacre, artist Dread Scott spent six years organizing a reenactment to celebrate the legacy of their courage, to be staged November 8-9.