Art
The Wonderfully Perplexing World of Gladys Nilsson
Nilsson's paintings come across as youthful and wise, a rare combination in any art.
Art
Nilsson's paintings come across as youthful and wise, a rare combination in any art.
Film
Now in its fifth edition, this year’s Neighboring Scenes: New Latin American Cinema is notable for its strong documentary selection, which encompasses topics such as war, capitalism, personal history, and folklore.
News
In video footage captured by his friend, Amr Alfiky loudly and clearly repeats that he is a journalist and offers to show his press credentials while a group of police push him against a car and handcuff him.
Art
As leftist politics integrate into the mainstream, artists spread the word and agitate for change.
Announcement
The exhibition, curated by Gabriel Pérez-Barreiro, is on view through May 16, 2020. Admission is free.
Announcement
The School of Visual Arts’ Curatorial Practice MA is a New York-based, globally linked program for professional curatorial training.
Interview
“I think it is inevitable that the gallery system will go through a business restructuring, because otherwise small galleries are essentially incubating artists and employees for larger spaces that just brutally cherry-pick them,” Clinton tells Hyperallergic.
Art
The open studios event offers a rare opportunity to see works in progress by E. Jane, Naudline Pierre, and Elliot Reed before their upcoming exhibition at MoMA PS1.
Film
Kazuo Hara's epic Reiwa Uprising, screening at Doc Fortnight, follows members of a new progressive political party trying to shake up the system.
Art
All that I saw were some small and medium-sized paintings, mostly very dark, almost indistinguishable. How could I review this show?
Art
Intense and deeply personal, the Japanese self-taught artist’s work, now in its first-ever New York solo survey, defies easy labels.
Art
After surviving the Japanese occupation, the Korean War, and martial law, not to mention arrest, torture, and a narrow escape from a firing squad, Yun Hyong-keun developed a way of painting in which assertion and self-cancellation have become inextricable.