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The Leslie-Lohman Museum of Gay and Lesbian Art announced yesterday a major expansion of its current Soho space that will result in the near doubling of the young institution's footprint.
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This month, a 23-foot-tall outdoor structure that improves the air quality of the surrounding area landed in Rotterdam.
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On this week’s art crime blotter: a trucker took down an Antony Gormley statue, vandals hammered a shiny public sculpture, and a Swiss dealer got in trouble for selling stolen Picassos to a Russian billionaire.
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Last month, an unofficial blog set up by graduate students at USC’s Roski School of Art was quietly taken down.
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A new petition against the cathedral's restoration claims work done over the past six years has irreversibly damaged the 800-year-old building and erased centuries of the history that makes it so special.
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This week in art news: Anish Kapoor's Versailles sculpture was vandalized for a third time, a soccer-themed issue of THE THING Quarterly tackles art critic Ken Johnson, and a new project space opened at a secret location in NYC.
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The 2015 Lyon Biennale officially opened today, but some participating artists have already expressed dissatisfaction with how their works are presented.
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On this week’s art crime blotter: Warhols go missing in Los Angeles, a papier-mâché cat goes up in flames, and vandals attack a dystopian equestrian sculpture.
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A legal battle is brewing over a sculpture by Mozambican artist Gonçalo Mabunda after customs officials, considering it a weapon, confiscated it from its owner.
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Anish Kapoor’s "Dirty Corner" (2011–15) sculpture in the gardens of Palace of Versailles has been vandalized again but this time with offensive words, including anti-Semitic slurs.
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A new gallery is opening on Meserole Street in Bushwick, Brooklyn, next month, and according to its eponymous director, Christopher Stout, it will have a “program of showing subversive and difficult art.”
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CHICAGO — After the scene of Michael Brown’s death was staged at Guichard Gallery as an artwork this summer, there was a public discussion about the exhibition and the fact that it was created by an artist who identified as white, Ti-Rock Moore.