From playful to political, there are 80 options by artists including Nick Cave, Mona Hatoum, and Wang Sishun.
At the Aldrich Contemporary Art Museum, artworks confront their own untimeliness through appeals to a deeper, more cosmic, sense of space and time.
Hyperallergic spoke with Cave about what it means to surrender to the sacred, and how a queer perspective brings liberation and a way of seeing and being in an at-times seemingly disconnected world.
At museum-hotel chain 21c’s new Kansas City location, an art exhibit reflects on immigration and refuge.
The late civil rights activist and Black arts patron Peggy Cooper Cafritz has bestowed the “largest gift ever made of contemporary art by artists of African descent” to the Studio Museum in Harlem and the Duke Ellington School of the Arts.
In “The Let Go” at the Park Avenue Armory, the artist explores jubilation washed with spectacle and an undertow of anguish.
The decorative alchemy that should transform these objects into a stronger form of messaging falls flat.
When personal expression is your aesthetic mode, then aesthetic quality depends on quality of personality.
DETROIT — Despite the conference featuring some of the Detroit’s leading thinkers and most innovative practitioners discussing a compelling topic — the intersection of art and ritual — I felt deeply ambivalent about attending.
DETROIT — Can an exhibition be informed by the place it visits?
We love NYC and LA and all the art they have to offer, but we know they’re only two towns of many across the country mounting great exhibitions large and small.
“I’m interested in coming to Detroit — providing you this opportunity to be up close and personal with the work in this static format, but then also being able to get you into this performative experience.”