I’m skeptical of crowd-curating and crowd-sourced art-prize voting. I’ve written about it here on Hyperallergic. Still, as the date approached, I found myself really excited about this past weekend’s GO open studios event, organized by the Brooklyn Museum — not because I wanted to vote for who would win a show at the museum (I’m not voting), but because I wanted a chance to meet artists in the neighborhood where I live, Crown Heights.
The Brooklyn Museum has posted an archive of its 1st Fans Twitter art. The Twitter Art Feed was a benefit for @brooklynmuseum‘s 1stfans (formerly @1stfans) members from December 2008 to December 2010. The feed featured tweets by contemporary artists every month, including Joseph Kosuth, Tracey Moffatt, Mike Montiero, Duke Riley, and names familiar to social media art fans, such as An Xiao, Man Bartlett, Lauren McCarthy, Nina Meledandri, and Joanie San Chirico.
As Frog design Creative Director Adam Richardson noted in an influential talk he gave at the most recent Next Web Conference, the Internet until recently has been like the railroad, which has forced us to adapt to its rules. In the coming years, it will be more like cars, which adapt to us. In other words, the digital is getting physical … so, how does art fit in?
The most striking aspect of social media art is that it contains facets of net.art, by being digital; visual art, by existing on a two-dimensional surface; public art, by existing in spaces used habitually by hundreds of millions of people; and performance art, by being inherently social. Whether the aggregate is greater than its sum remains to be seen …
The last day of the Marina Abramović’s “The Artist Is Present” at MoMA was marked by a frenzy of activity both IRL and online. The veteran performance artist has proven that her art form has come of age and it can hypnotize a whole city — and art world — into believing or “unbelieving” that she’s the biggest game in town.
Just as social media have quickly gone mainstream, we’re starting to see social media art received more attention from the mainstream art world. I’m currently writing a survey of social media art’s (brief!) history for Hyperallergic and as part of my research, I’ve invited a number of contemporary social media artists to a roundtable discussion on Hyperallergic’s Facebook page.