Opinion
We at Hyperallergic know it's close to Halloween because of all the articles giving us last minute costume ideas! Now, a slutty viking or a faux-Gaga meat dress might be fine if you're just going to some random Halloween party with a bunch of normal people. But what if you're going to that special H
Opinion
Fashion, as it so often does, just caught a rash from the art world. The color spreading through the cheeks of this season's clothes is none other than International Klein Blue (IKB), the same unique hue dreamed up by the proto-postmodernist bad boy Yves Klein in 1962. Now, IKB is on your mom's purs
Opinion
As soon as we heard [http://hyperallergic.com/11464/hell-yes-isa-genzken-new-museum/] that Isa Genzken’s “Rose” will replace Ugo Rondinone’s “Hell,Yes” (2001) on the exterior of the New Museum … we immediately thought Photoshop! Our little digital collage experiments suggest that fiction is often mo
Opinion
Picasso would have turned 129 today, if the polymath artist, sculptor and co-inventor of cubism hadn't died in 1973 at the age of 92. Born in 1881, the artist rapidly commenced almost a full century of being awesome. So today we will put this Jonathan Richman song [http://www.youtube.com/watch?v=zZW
Opinion
If you happened to be hiding under a social media rock for the past few days, you might have missed the Guggenheim museum's short-lived multimedia/indie band/internets extravaganza that was their Youtube-sponsored “Play” biennial. The biennial was in reality a juried exhibition that anyone could sub
Opinion
Every week, we'll recap the best comments we've received on Hyperallergic's posts, whether that's on the blogazine itself, on Twitter, Tumblr, or Facebook. Be sure to check in every Friday for new comments. This week, check out responses to our Powerless 20, additions to our list of dangerous works
Opinion
Out across the pond, there's an art fair going on. Only slightly overshadowed by the Ai Weiwei Turbine Hall installation debacle, London's Frieze Art Fair has been soldiering on nonetheless to bring collectors to the art, and vice versa. We've combed over the internet to bring you some impressions o
Opinion
After Ai Weiwei's Tate exhibition was effectively quarantined for its impact on visitors’ health and well-being, we thought we’d investigate the art world for a few other pieces and exhibitions that ended up being a little more than curators and artists bargained for. From the Tate Modern’s numerous
Opinion
Pitchfork, the inveterate hipster music site, recently announced plans for a music festival in New York City named #offline. Social media is great and all, but the sudden popularity of names that begin with the Twitter hashtag-indicating # are starting to be mildly annoying, however niche it is. Jus
Opinion
ArtReview released its annual Power 100 yesterday, a document that makes a spirited attempt at putting the art world into numbers. The list held a few surprises, but really, what was most un-surprising about the whole affair was how lame and mainstream it was while frontin' a snarky facade, insider-
Opinion
This chart may be all you need to decide what font, I mean typeface, to use for a current or upcoming project. Design historian Steven Heller reminded me a few weeks ago that I use the terms font and typeface interchangeably, point taken (even though my mom was a graphic designer and I should know b
Opinion
The Museum of Modern Art’s Abstract Expressionist New York: The Big Picture, an ambitious exhibition that (kinda) rethinks the standard narrative of Abstract Expressionism (aka AbEx), has been open since October 3. The show complicates things by reintroducing us to artists not entirely within the Ab