Opinion
A Rehang of Hopper’s Iconic “Nighthawks” Changes the Game
Psychologically, the work of both Gertrude Abercrombie and Hughie Lee-Smith enhance the otherworldly isolation of “Nighthawks.”
Opinion
Psychologically, the work of both Gertrude Abercrombie and Hughie Lee-Smith enhance the otherworldly isolation of “Nighthawks.”
Opinion
In a recent episode on Aileen Wuornos in the docuseries, Catching Killers, one talking head investigator is baffled by her actions, but I understand her deeply.
Opinion
What holograms offer only reminds us that the types of audience interaction they invite cannot fully animate the past.
Opinion
The British Museum’s complicity in BP’s artwashing ranks alongside the museum’s continual refusal to engage with its own colonial history.
Opinion
The vast majority of museums have a long way to go before we can truly say that they are welcoming for anyone and everyone to visit.
Opinion
Collaborations with the State Hermitage Museum are particularly problematic since the director, Mikhail Piotrovsky, flaunts his bond with Putin.
Opinion
The true problems relate to the invisible architecture of these institutions that cannot or will not respond to the needs of parents.
Opinion
A colleague once told me “You live better when you work in a union, especially in an art museum because you work for elitists.”
Opinion
Basildon’s new murals represent how artists are used in regeneration schemes the world over: socioeconomic cover-ups under the guise of opportunity.
Opinion
This culture industry perfects the mechanisms for the wholesale destruction of art not beholden to establishment narratives.
Opinion
The organization serves as one of the largest nodes in the Classical Realist movement.
Opinion
There are art platforms that want to use NFTs to empower digital and new media artists rather than focusing just on the market.