Opinion
Why We Need a Feminist Manifesta of the Blockchain
The blockchain signals a shift in our identity formation in the 21st century.
Opinion
The blockchain signals a shift in our identity formation in the 21st century.
Opinion
By cutting, reframing, and layering, artists, including Rodell Warner and Alanna Fields, encourage a re-viewing of the past.
Opinion
For three and a half years, I ran Weeksville Heritage Center in Brooklyn while dealing with issues of precarity.
Opinion
There is a century-long history of political mobilization by students of color on campus.
Opinion
The most astounding result of our research was discovering how few museums had complied with the American Alliance of Museums' simplest requirement: having a public collections policy.
Opinion
How erroneous assumptions about Cuba can skew our understanding of the country’s cultural centers.
Opinion
There are many benefits of artist residencies, but for me, the best conditions for making art involve being paid to work where I already have the infrastructure.
Opinion
"Black Refractions," a touring exhibition now at the Utah Museum of Fine Arts, throws into vivid relief the state’s shameful record on race.
Opinion
In the middle of a pandemic that hit New York hard, Frieze returns to the city with an in-person art fair, aggressively pursuing making money.
Opinion
In launching Art at a Time Like This we felt an enormous responsibility in starting an art platform that responds to crises in the US and abroad.
Opinion
In times of racial upheaval, we tend to ask Black artists to contribute to the discussion. But when the news cycle shifts, the demand seems to wane.
Opinion
Much is lost when cultural forms are understood primarily through the lens of property ownership — whether they are expressed as physical objects or digital code.