Opinion
Mount Rushmore Is Not My Monument
For a century, our connection to the Black Hills has been disrupted by this eyesore and those who flock to a place that we see as our relative, our grandfather and grandmother.
Opinion
Opinion
The Tackiness of Evil
More than a testament to his tastelessness, Trump’s demolition of the White House tells the American people: I can do whatever I want with the past.
Opinion
Koyo Kouoh’s Final Lesson on Pan-African Solidarity
After the curator’s death in May, an artists’ gathering in Nairobi proved that transnational solidarity today must be built on a commitment to an interdependent future.
Opinion
The Louvre Heist Was a Colonial Wake-Up Call
The stunning theft reveals more than a failure of security: It lays bare how austerity, neglect, and unresolved colonial legacies continue to haunt the museum.
Opinion
What I Wish I Had Known About Germany Earlier
A German newspaper commissioned an article from me but then refused to publish it.
Opinion
The Arch of Trump’s Triumph and Downfall
Triumphal arches have been used for imperialistic ends since Roman antiquity, and the president’s latest proposal is no exception.
Opinion
How to Protect Your Right to Culture
The United States government’s coordinated repeal of the right to culture has grave consequences for the texture of our daily lives. But there are ways to fight back.
Opinion
This Indigenous Peoples’ Day, Let’s Support Native Art
Acknowledging Indigenous survivance is a start, but there's a critical need to turn recognition into tangible action.
Opinion
What Does It Mean to Exhibit the Gun That Killed Emmett Till?
As someone who questions institutional claims of neutrality and the ethics of curatorial practice, I wonder about the “museumification” of the weapon and the ramifications of its display.
Opinion
Remembering the Pigment Shop That Taught Me How to See
Kremer’s New York City location, a painter’s paradise and key resource for conservators, is closing in November. For artists, the loss goes far beyond a storefront.
Opinion
Burning Man’s Black Vanguard
Years after I began photographing Black and Brown Burners, I returned to the festival simply to witness. What I saw humbled me.
Opinion
When Artists Are Too Old to Be “Emerging”
If the art world is serious about equity, it has to stop equating emergence with youth and start building structures that reflect the multiplicity of artistic timelines.