Thomas Nozkowski believed that each person’s experience of the everyday was fundamentally unique and set out to honor that in his work.
Pace Gallery
Posted inOpinion
Representation Alone Will Not Save Us
We love representation, the power of signifying, and the incisiveness of well-argued critique, but by themselves, these tools won’t effect structural change.
Posted inPerformance
Inspired by Nam June Paik, Performa is Bringing Back the Telethon
The 8-hour online program will debut new works, reimaginings, and collaborations by artists such as Yvonne Rainer, Glenn Kaino, Barbara Kruger, and the WideAwakes.
Posted inArt
Sam Gilliam’s Tactile Choreography of Colors
For six decades, Gilliam’s colors have swirled on canvases, his practice levitating above categorizations. For his latest exhibition, the artist has created what he calls a “dance” between three new bodies of work.
Posted inArt
Nina Katchadourian’s Tribute to Political “Roads Not Taken”
An intriguing meditation on the flawed two-party system, the power of Katchadourian’s Monument to the Unelected lies in its ability to confront us with alternative histories.
Posted inOpinion
How Woke Are the Fall Shows at New York’s Blue-chip Art Galleries?
Looking at the upcoming shows from Pace, David Zwirner, Gagosian, and Hauser & Wirth one hardly gets the sense that we are in a moment of acute crisis.
Posted inArt
Robert Mangold’s Emotional Optics
With his recent works, Mangold underscores a consciousness of mortality that he meets with a gracefulness that is breathtaking.
Posted inArt
In Sonia Gomes’s Hands, Textiles Evoke Resilience
With her New York debut on the horizon, the Afro-Brazilian artist, known for her seductive, textile-based sculptures, is finally, and rightfully, receiving international recognition.
Posted inArt
Peter Hujar’s Tender, Transgressive Portraits and Why They Require Nuance
Lacking any attempts to deepen or broaden conversations about Hujar’s work, Cruising Utopia at Pace Gallery feels more like a store than an exhibition.
Posted inArt
The Illusive, Intimate Nature of Mary Corse’s Paintings
One must spend time with Corse’s paintings, which evolve depending on whether the paint applied to the canvas is thick or thin, whether the work is in natural or artificial light, and whether you are close or far away from the painting itself.
Posted inArt
James Siena Changes His Approach
Siena’s paintings and drawings have become a maze of marks that he seems in no hurry to escape. They are odes to anonymous labor.
Posted inArt
The Quiet Chaos in Lee Ufan’s New Paintings
A master of meditative minimalism, the Korean artist’s new paintings are more frenetically energized than ever before.