Byrne’s drawings makes me wonder what else art is for, but to remind us that what we call “being reasonable” is too often our expedient alibi for not using our imagination.
But some point out that the seemingly zeitgeisty shift to LA is nothing new in the art world.
Wifredo Lam developed a style that dances between figuration and abstraction, but the selected compositions at Pace gallery tend to repeat.
Thomas Nozkowski believed that each person’s experience of the everyday was fundamentally unique and set out to honor that in his work.
We love representation, the power of signifying, and the incisiveness of well-argued critique, but by themselves, these tools won’t effect structural change.
The 8-hour online program will debut new works, reimaginings, and collaborations by artists such as Yvonne Rainer, Glenn Kaino, Barbara Kruger, and the WideAwakes.
For six decades, Gilliam’s colors have swirled on canvases, his practice levitating above categorizations. For his latest exhibition, the artist has created what he calls a “dance” between three new bodies of work.
An intriguing meditation on the flawed two-party system, the power of Katchadourian’s Monument to the Unelected lies in its ability to confront us with alternative histories.
Looking at the upcoming shows from Pace, David Zwirner, Gagosian, and Hauser & Wirth one hardly gets the sense that we are in a moment of acute crisis.
With his recent works, Mangold underscores a consciousness of mortality that he meets with a gracefulness that is breathtaking.
With her New York debut on the horizon, the Afro-Brazilian artist, known for her seductive, textile-based sculptures, is finally, and rightfully, receiving international recognition.
Lacking any attempts to deepen or broaden conversations about Hujar’s work, Cruising Utopia at Pace Gallery feels more like a store than an exhibition.