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Hyperallergic

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Pace Gallery

Posted inArt

David Byrne’s Hopeful Drawings

by Tim Keane March 17, 2022May 2, 2022

Byrne’s drawings makes me wonder what else art is for, but to remind us that what we call “being reasonable” is too often our expedient alibi for not using our imagination.

Posted inNews

Seduced By Sunshine and Square Footage, Some New York Galleries Are Headed West

by Valentina Di Liscia February 16, 2022February 16, 2022

But some point out that the seemingly zeitgeisty shift to LA is nothing new in the art world.

Posted inArt

Not Quite the Wifredo Lam Show That’s Needed Now

by Seph Rodney December 1, 2021December 1, 2021

Wifredo Lam developed a style that dances between figuration and abstraction, but the selected compositions at Pace gallery tend to repeat.

Posted inArt

The Democracy of Abstraction

by John Yau October 6, 2021October 7, 2021

Thomas Nozkowski believed that each person’s experience of the everyday was fundamentally unique and set out to honor that in his work.

Posted inOpinion

Representation Alone Will Not Save Us

by Seph Rodney December 30, 2020December 30, 2020

We love representation, the power of signifying, and the incisiveness of well-argued critique, but by themselves, these tools won’t effect structural change.

Posted inPerformance

Inspired by Nam June Paik, Performa is Bringing Back the Telethon

by danilo machado November 16, 2020November 20, 2020

The 8-hour online program will debut new works, reimaginings, and collaborations by artists such as Yvonne Rainer, Glenn Kaino, Barbara Kruger, and the WideAwakes.

Posted inArt

Sam Gilliam’s Tactile Choreography of Colors

by danilo machado November 4, 2020November 6, 2020

For six decades, Gilliam’s colors have swirled on canvases, his practice levitating above categorizations. For his latest exhibition, the artist has created what he calls a “dance” between three new bodies of work.

Posted inArt

Nina Katchadourian’s Tribute to Political “Roads Not Taken”

by Ksenia M. Soboleva October 15, 2020November 5, 2020

An intriguing meditation on the flawed two-party system, the power of Katchadourian’s Monument to the Unelected lies in its ability to confront us with alternative histories.

Posted inOpinion

How Woke Are the Fall Shows at New York’s Blue-chip Art Galleries?

by Seph Rodney September 25, 2020November 5, 2020

Looking at the upcoming shows from Pace, David Zwirner, Gagosian, and Hauser & Wirth one hardly gets the sense that we are in a moment of acute crisis.

Posted inArt

Robert Mangold’s Emotional Optics

by John Yau September 19, 2020November 5, 2020

With his recent works, Mangold underscores a consciousness of mortality that he meets with a gracefulness that is breathtaking.

Posted inArt

In Sonia Gomes’s Hands, Textiles Evoke Resilience

by Ela Bittencourt September 2, 2020August 31, 2021

With her New York debut on the horizon, the Afro-Brazilian artist, known for her seductive, textile-based sculptures, is finally, and rightfully, receiving international recognition.

Posted inArt

Peter Hujar’s Tender, Transgressive Portraits and Why They Require Nuance

by danilo machado July 9, 2020November 5, 2020

Lacking any attempts to deepen or broaden conversations about Hujar’s work, Cruising Utopia at Pace Gallery feels more like a store than an exhibition.

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