Jonny Negron captures the disappointment and delights of Dionysian narcissism.
A thought experiment I sometimes engage in is to ask myself what kind of god would make the world that is being represented in the work I’m seeing.
At the Museum of Latin American Art, Gabriella Sanchez asks each viewer to become aware of how they make associations based on their preconceptions.
Francis made over 10,000 artworks, starred in more than 100 solo exhibitions, and, in the late 1950s to mid-1960s, commanded the highest prices of any living painter.
Gardening company Michigan Bulb analyzed 30 famous artworks depicting plants and the value of the painted blossoms in the high-end market.
If painting was Mitchell’s sickness, it was also her salvation.
It is perhaps no surprise that Wiley’s oeuvre is a favorite among curators seeking to inject new relevance into their collection of European masters.
One hundred years after Mary Hiester Reid’s death, Flower Diary recovers the elusive, overlooked artist’s life and work
Simphiwe Ndzube masterly weaves Bosch’s iconography into his macabre landscapes that reflect water scarcity.
Around Asheville, people have volunteered their front yards to showcase Suzanne Schireson’s portraits.
In Nara’s paintings, children stand in as angry innocents raging against an oppressive world of adults.
The Highwaymen’s paintings are an environmental time capsule for a state highly threatened by the climate crisis.