In the documentary Mayor, Musa Hadid tries to keep Ramallah, Palestine functioning as best he can.
Several filmmakers and international guests canceled their participation in this year’s edition of the Docaviv festival.
“I could not have a relationship with a regime that is now officially complicit in the Israeli occupation of Palestinians,” said Mohamed Badarne, a Berlin-based artist.
“[W]e understand that our liberation is intimately connected to the liberation of all oppressed peoples and communities,” the pledge reads.
The artist, Remy, installed reproductions of gruesome photographs from newspapers on a wall in the city’s historic district. The historic preservation board has ruled that the works must be removed within two weeks.
The documentary Advocate, profiling controversial lawyer Lea Tsemel, has become an unlikely Oscar contender.
Coverage of the discovery of an ancient mosque in Rahat has neglected to mention the planned mass relocation of thousands of people to the Bedouin town.
It is crucial for us to see how and why European and American images of Palestine have historically distorted the realities of this region.
The Palestine Hosting Society project, founded and directed by Mirna Bamieh, usually begins with research into a city or family’s food practices and culminates in a hosted “table,” where this research is presented to a group of invited guests.
Israeli Prime Minister Benjamin Netanyahu’s office sent the letter directly to German Chancellor Angela Merkel, voicing disapproval for the museum’s exhibition Welcome to Jerusalem.
Khaled Jarrar is offering vials of his blood on Wall Street, priced to match defense contractors’ stock, as a commentary on the military-industrial complex.
The new bill suggests that culture organizations that criticize the State of Israel or highlight the Palestinian national narrative will have trouble with government funding.