By transforming guns into art and everyday objects, the artist hopes to transform culture itself.
Many had protested Reyes’s appointment, calling for the project to involve Indigenous artists and incorporate their proposals.
“[We] find it inadmissible that Pedro Reyes, a male artist who does not identify as Indigenous, was selected to represent ‘the Indigenous woman,'” says the group.
A new piece created by Mexican artist Pedro Reyes depicting an Olmec woman is slated to go up on October 12.
A visit to Pedro Reyes’s politically themed haunted house may be scarier than you think.
Doomocracy, artist Pedro Reyes’s new project for Creative Time, is part haunted house and part immersive theater.
WATER MILL, NY — On the same day the Apollo 11 Lunar Module touched down on the Moon, an art collective in Japan was rowing on a giant white arrow down the rivers between Kyoto and Osaka.
Situated within one of Mexico City’s remaining areas of untouched land, Espacio Escultórico is considered by many as one of Latin America’s most significant works of land art.
DETROIT — The central piece, and the one that immediately draws the eye when entering the main gallery of United States of Latin America at the Museum of Contemporary Art Detroit, is a full wall mural by Minerva Cuevas entitled “America.”
OAKLAND, Calif. — We’ve all seen the moment in movies when the hero, villain, or unwitting victim has to stare down the barrel of a gun.
MIAMI — This morning the mother of all Miami art fairs, Art Basel Miami Beach (ABMB), opened its doors for a press and VIP preview. Although it was pretty crowded for a preview day, the fair also felt calm and subdued. And the art matched the tone: much of what was on view seemed safe — tried and true artists whose work might amuse, arouse, or provoke, but not offend.
As I wandered around, though, I remembered that quiet isn’t necessarily a bad thing: it can create a space for humor or contemplation. And scattered throughout the fair I found a good number of artworks that embraced that space by way of domesticity.
Welcome to New York City’s newest treatment center. You pay fifteen dollars to enter a desolate concrete basement filled with men and women in lab coats. They hand you pillows to sit on and advise you to close your eyes and visualize your problems, to later be treated by an assortment of self-improvement exercises. Mexican artist Pedro Reyes is the Gestalt and Marxist-influenced mastermind behind this mental ward, and he’s here to solve all your city-induced psychological stress.