Performance
An Acrobat Embodies the Weightless Beauty Before a Fall
The Brooklyn Academy of Music presented French acrobat Yoann Bourgeois’s nouveau cirque Minuit for the first time in the United States.
Performance
The Brooklyn Academy of Music presented French acrobat Yoann Bourgeois’s nouveau cirque Minuit for the first time in the United States.
Performance
Long a darling of the European festival circuit, Romeo Castellucci and his Socìetas Raffaello Sanzio have since the 1980s presented a visually driven, philosophical theater, often with classical references and the provocative presence of animals and the animality of humans.
Performance
When the Brooklyn Academy of Music's Harvey Theater (then the BAM Majestic Theater) opened in 1987, lauded director Peter Brook staged his production of Jean-Claude Carrière’s Le Mahabharata, itself based on the gargantuan Indian epic.
Performance
This is not your grandmother’s drag show. A 24-Decade History of Popular Music by renowned playwright and drag performer Taylor Mac is a monumental production covering American popular music from 1776 to 2016.
Art
NEW ORLEANS — This weekend the roving Music Box Village of New Orleans will welcome the public to its first permanent space with two days of performances.
Performance
When I first encounter the artist Lin Bo discussing his work “The Cage,” there is something about him that doesn’t sit quite right with me.
Art
As a New York gravedigger once succinctly put it to me: “We all have dead.” No person is isolated from loss.
Performance
"When we meet the very best, we have to give up," baritone Rod Gilfry intoned in The Loser, composer David Lang's one-act opera that debuted last week at the Brooklyn Academy of Music (BAM).
Performance
There is hardly any dialogue in Small Mouth Sounds, a play about six weekend retreaters who have taken vows of silence.
Performance
Hadestown combines and retells two classical myths — that of Orpheus and Eurydice, and that of Persephone — through a sizzling New Orleans jazz score by Anaïs Mitchell.
Performance
Katdashians! Break the Musical! began 15 minutes late. If only that were its gravest error.
Performance
“There is no surer way to be derivative than to be unaware of your history,” dancer-choreographer Jody Sperling said in a 2014 interview.