Performance
A not-so-minor detail was left out of a recent New York Times review of Robert Wilson's reinterpretation of Shakespeare's Sonnets at the Brooklyn Academy of Music (BAM): The sonnets were the gayest thing the Bard ever wrote.
Performance
Nine o’clock: the stage lights dim and a spotlight illuminates a stuffed “hero” sandwich the size of a small sofa. The opening melody of Tina Turner’s “We Don’t Need Another Hero” — hit theme song from Mad Max: Beyond Thunderdome — fills BAM’s Fishman Space.
Performance
In our increasingly digital world, live performance still manages to bring us together, away from the keyboard, for a period of time, however brief. Attending a performance is a kind of ritualistic act, which I have been thinking about since witnessing DEBUT, a new performance work by choreographer
Performance
“The Watershed” remains skeptical about the nature of freedom in what creator Kyle Abraham terms a “poly-phobic society.”
Performance
The premiere live performance of conceptual artist Charles Gaines’s “Manifestos 2” (2013) at the Museum of Modern Art on September 27 was nothing short of synesthetic.
Performance
Laurie Anderson was already working on a cycle of songs with Kronos Quartet when on October 29, 2012, Hurricane Sandy rose the Hudson River into her West Village home.
Performance
PORTLAND, Oregon — Pepper Pepper went crowd surfing at her recent drag ball. Declaring to the crowd that it was all about collectivism, she dove out into the sea of hands with a large set of balloons attached to her back.
Performance
PORTLAND, Oregon — "Macho doesn't prove mucho," socialite and actress Zsa Zsa Gabor once punned.
Performance
Set against the economic optimism and then despair of a family-owned paper company going public, Trade Practices, presented by HERE on Governors Island, asks audience members to invest in its story lines. The immersive theater production that kicked off on Labor Day Weekend stages the experience aro
Performance
Technologies that didn't exist 10 years are opening up fresh possibilities for choreographers and their collaborators. Interactive designer Matt Romein's recent collaborative presentation with choreographer Sophie Sotsky harnessed new developments in motion-capture technology, video programming lang
Performance
In the early 1980s, Andy Warhol posed in drag for a series of Polaroid portraits. Wearing heavy white makeup in works like "Self-Portrait in Drag" (1981), he exudes a ghoulish glamour.
Performance
The Knockdown Center is a sprawling, compound-like factory in Maspeth, Queens, that’s been renovated into an industrial-chic venue striving to, according to the website, “create an adaptable environment that thinks beyond what ‘is.’” In that sense, The Wilder Papers, a semi-guided experiential dance