Film Review
The Slow, Easy Splendor of Peter Hujar’s Day
Taking its script from a 1974 recording of the artist talking to writer Linda Rosenkrantz, a new film offers a tender portrait of Hujar’s life before art-world fame.
Film Review
Taking its script from a 1974 recording of the artist talking to writer Linda Rosenkrantz, a new film offers a tender portrait of Hujar’s life before art-world fame.
Art
Four captivating examples of the artist’s photographs, taken between 1973 and 1984, will be auctioned in August as part of Swann’s fourth annual LGBTQ+ Art, Material Culture, and History sale.
Art
Lacking any attempts to deepen or broaden conversations about Hujar’s work, Cruising Utopia at Pace Gallery feels more like a store than an exhibition.
Art
Hujar wrote that his portrait subjects were “those who push themselves to any extreme” and those who “cling to the freedom to be themselves.”
Art
Intimacy at Yossi Milo Gallery unites a diverse assembly of artists tracing the outline of affection from the 1980s to present day.
Art
Hujar’s photographs document the effervescent creative spirit that pulsed through the East Village as the AIDS crisis unfolded.
Art
A multimedia exhibit at Museum of the City of New York looks back at the domesticity of the AIDS crisis.
Art
Recent books by Tim Lawrence and Douglas Crimp underline the close relationship between the New York art scene of the 1970s and '80s and that most unjustly maligned of musical movements, disco.
Art
In the comparatively safe, sleek, and expensive New York City of today, nostalgia for the crime-ridden, scummy, and cheap New York City of the 1970s is as strong as ever.
Art
Walking through In the Studio: Photographs, a three-part show organized by Peter Galassi, former Chief Curator of Photography at New York's Museum of Modern Art, and spread over several floors of the Gagosian empire on Madison Avenue, the underlying themes of accumulation, storage, labeling, and jus
Art
Before pride parades, Stonewall, the It Gets Better Project, and "Born This Way," a circle of friends, lovers and artists unabashedly embodied and represented their own homosexuality. This group coalesced around Paul Thek, expressing their identity during a deeply conservative era, as seen in the im
Art
While at The Piers: Art and Sex along the New York Waterfront at the Leslie-Lohman Museum of Gay and Lesbian Art, one question kept popping up in my mind: What is with this obsessive nostalgia for the decaying, destroyed and often depressing New York of the past, particularly as connected to the eme