Philip Guston and the Poets, currently at the Gallerie dell’Accademia in Venice, shows the significant influence of poetry on Guston’s work, especially after he retreated from the art world.
Philip Guston
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Branden Koch Looks at America and Doesn’t Like What He Sees
There are eighty works on paper in the exhibition, Branden Koch: Bald Ego at Regina Rex, all of which speak to and about the dilemma of being an artist and sympathetic human being in America under the current regime.
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When Experimental Music Resonated with Abstract Art
The exhibition includes scores by John Cage and Morton Feldman, paintings by Philip Guston, sculpture and works on paper by Louise Bourgeois and David Smith, and oil paintings by Joan Mitchell.
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The Pursuit of Art, 2016
The first painting I saw in 2016 was “Cockman Always Rises Orange” (2015): we can’t say we weren’t warned.
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Best of 2016: Our Top 20 NYC Art Shows
This list barely scratches the surface of the city’s artistic offerings this year, from overdue retrospectives to surprising sides of artists we know well.
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Guston After Trump and Before Christmas
I don’t know if laughter is the best medicine: sometimes it is the only medicine.
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In Philip Guston’s Nixon Drawings, a Tool Kit for Satirizing Loathsome Presidents
Over 170 caricatures of Richard Nixon offer an instructive precedent for artists struggling to overcome political and creative blocks in one leap.
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Flesh and Bones: Philip Guston’s “Thingness”
The idea of an abrupt transition between the abstract work and the late figuration has become so ingrained in the narrative of Guston’s career that a view suggesting a more gradual evolution might meet with resistance.
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Seeking the Real at Art Basel Miami Beach
So where were they? An Inside Art column published in The New York Times a week before the opening of Art Basel Miami Beach dangled the prospect of a more inclusive fair this year, one that would feature “A Focus on Female Artists,” as the headline put it.
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47 Painters Exhibit Symptoms of the Philip Guston Effect
BOSTON — Before 1968, when Philip Guston more or less began working on a new body of work that would define his late career, it could be said of him, as it was of Lord Dartmouth by the poet William Cowper: this was a man “who wears a coronet and prays.”
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Revisiting Postwar American Art in Paris
PARIS — During springtime in Paris, one frequently meets beaming American newlyweds on their honeymoon.
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The Triumph of Revisionism: The Whitney’s American Century
With America Is Hard to See, the exhibition inaugurating its luminous new Renzo Piano building, the Whitney has reclaimed its role among the city’s museums as the engine of the new.