Art
Jazz, Mardis Gras, and Musical History at the New Orleans Triennial
An exhibition at Prospect 4 is showcasing magnificent Mardi Gras costumes, collaged tape cases made by Louis Armstrong, and more.
Art
An exhibition at Prospect 4 is showcasing magnificent Mardi Gras costumes, collaged tape cases made by Louis Armstrong, and more.
Art
Newly restructured as a triennial, Prospect 4 opened in New Orleans last weekend; despite technical challenges and an overly broad theme, it yielded some satisfying moments.
Art
NEW ORLEANS — Biennials, triennials, and other, similarly grand periodic art exhibitions are a funny thing; both local and global, they must balance an engagement with their home places alongside a broader artistic conversation.
Art
NEW ORLEANS — Gather enough bling in one gallery and the concentration of visual stimuli will overwhelm the need for a clear or convincing curatorial framework.
Art
NEW ORLEANS — To see Basquiat and the Bayou, the “exhibition within an exhibition” that by general consensus is the must-see component of the sprawling Prospect.3: Notes for Now biennial triennial that opened in New Orleans on October 25, you need to make your way to the top floor of the Ogden Museu
Interview
Franklin Sirmans, curator of contemporary art at Los Angeles County Museum of Art (LACMA), has replaced Cameron as artistic director for Prospect.3: Notes for Now, the biennial's latest installment. So there is a lot riding on Prospect.3, which opens on October 25 — especially for Sirmans, whose rol
Opinion
NEW ORLEANS — Judging from this week’s press events announcing the artistic and venue lineup for Prospect.3, it looks like things are indeed going to be shaken up considerably in New Orleans this fall.
Art
NEW ORLEANS - Prospect 2 isn't just about the new or the conceptual or the overwrought: William Eggleston brings a pair of several decades-old works to his Prospect installation at the Old US Mint on the edge of the French Quarter, and together they offer the most satisfying viewing experience of an
Art
NEW ORLEANS — Of all the stories about New Orleans, John Kennedy Toole's A Confederacy of Dunces is one of the most universally beloved. So an artist who attempts to engage it in a different medium has their work cut out for them from the get-go: anyone who's read Toole's posthumously published come
Art
NEW ORLEANS — The Piazza d'Italia generally isn't high on many people's lists of Things To See And Do In New Orleans; in fact, I'd guess that most of the tourists who stumble across it do so while getting lost on their way to or from the nearby Harrah's casino or Hilton Riverfront. They probably no
Art
By the ordinary way of reckoning such things, there are considerably fewer artists participating in this year's Prospect.2 biennial in New Orleans than in the event's first iteration three years ago. But if artist and provocateur William Pope.L's piece for the exhibition turns out according to sched
Art
Prospect.1 New Orleans was the biggest biennial ever staged on US soil, and that's the least of the accomplishments of Dan Cameron's 2008 exhibition. The show brought attention to what continues to be an area badly damaged by disaster and in danger of falling out of the public eye. Prospect 1.0 was