While Morton’s career spanned less than a decade (1968–1977), her work remains vital to questioning what it means to be a woman in art history and society.
Linda Harris represents the position that you don’t need to know everything about a work of art to comment on what it’s doing or how it makes you feel.
Curated by Kate Kraczon, Ree Morton: The Plant That Heals May Also Poison will be on view through December 23, 2018.
MADRID — The short but plentiful career of US installation artist Ree Morton, surveyed at the Reina Sofia Museum in Madrid in Ree Morton: Be a Place, Place an Image, Imagine a Poem, reminds us there are still many untold histories of 20th century women artists.
It didn’t. I lied. I’m sorry. But I did like these things at the Art Dealers Association of America’s (ADAA) art fair.