Art
Torpedoing the Masculinity of Military Power
Marianne Vitale’s exhibition at Invisible-Exports, Equipment, cannily alludes to the preening masculine vanity that comes to the surface through the machinery of military power.
Art
Marianne Vitale’s exhibition at Invisible-Exports, Equipment, cannily alludes to the preening masculine vanity that comes to the surface through the machinery of military power.
Art
Emergency evacuation drills, though necessary, are a pain.
Art
I should like the exhibition Measures of Inequity by the artists Richard Ibghy & Marilou Lemmens at the International Studio and Curatorial Program.
Books
In Tom Gauld’s new graphic novel, Mooncop — published by Drawn & Quarterly — the age of the moon has waxed and waned.
Art
WASHINGTON, DC — An effort to describe the diversity of birds led to one of the first modern color systems.
Books
Before he designed the soaring 1962 TWA Flight Center at JFK Airport, Eero Saarinen experimented with gravity-defying design through his one-legged white and red Tulip chair.
Art
PARIS — Though almost entirely lacking a female presence — artist Jay DeFeo and poet Diane Di Prima being the exceptions that prove the rule — the Centre Pompidou’s airily laid out retrospective of the Beat Generation is otherwise flawless.
Art
SOKOLOWSKO, Poland — For three years running, Sanatorium of Sound has given hundreds of experimental sound art devotees reason to ascend to a small, mysterious, Polish village, nestled only a short distance from the Czech border.
Art
Just past the metal detectors at the entrance to the Metropolitan Museum, 11 people cluster together, tablets and smartphones raised in front of their faces, photographing the central information desk and the arches beyond.
Art
CHICAGO — The Sidney R. Yates gallery in the Chicago Cultural Center is a large space on the top floor of a neoclassical-style building on Chicago’s Michigan Avenue.
Performance
When I first encounter the artist Lin Bo discussing his work “The Cage,” there is something about him that doesn’t sit quite right with me.
Art
NAPLES, Italy — “I don't care if Monday's blue,” sang the Cure. But French artist Camille Henrot seems to care a great deal.