Books
A History of Photography in Which the Camera Is Absent
A new book takes is a broader, global look at cameraless photography.
Books
A new book takes is a broader, global look at cameraless photography.
Art
LOS ANGELES — Scott Marvel Cassidy’s art makes viewers do a double take.
Art
The two exhibitions currently on view at the Swiss Institute examine the usually hidden infrastructure of architecture, and their consideration of space makes them particularly fitting: they are the gallery's final shows before it moves from its current building on Wooster Street to a yet-to-be dete
Art
CLEVELAND — Every television ad is for a presidential candidate, the phone rings off the hook with endless robocalls, and people from all over the country knock on the door to make sure I know where to vote.
Art
SANTA FE, NM — The worlds of fashion and fine art often collide, both in the museum and on the runway.
Art
PARIS — In the polyvalent and multilayered drawings of André Masson, you can sense a free hand in love with its own movement, but not with itself.
Performance
Hadestown combines and retells two classical myths — that of Orpheus and Eurydice, and that of Persephone — through a sizzling New Orleans jazz score by Anaïs Mitchell.
Art
The Life of Forms exhibition, now on view at Mary Boone gallery is a relatively standard summer show smorgasbord, but one artist who stands out to me is Doug Ashford.
Art
British artist Rachel Whiteread and curator Tom Eccles discussed both the Unabomber and Henry David Thoreau's Walden in considering the form and isolation of the American cabin.
Books
So many poets out there.
Art
In 1987, Joe Becker, Lee Collins, and Mark began investigating the possibilities of generating a Universal Coded Character Set (UCS) that would, among other things, enable a computer to encode, transmit, and translate one language into another.
Art
The first paragraph of Lev Manovich’s groundbreaking essay, “Database as Symbolic Form” (1999) came to mind about three minutes after I began pouring over the weird, wacky, wild and wooly stuff displayed under glass in Tony Oursler: The Imponderable Archive at the Hessel Museum of Art.